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GAR0153 BOOKS: ‘the Science of Photography’ -H.BAINES & E.S. BOMBACK

'the Science of Photography' -H.BAINES & E.S. BOMBACK
title: “the Science of Photography”
Extensive book on the SCIENCE of photography by H.Baines revised and brought completely up-to-date (1967) by E.S.Bomback

Description: 318 pages, illustrations (some color), portrait format 23 cm
Responsibility: [by] H. Baines. Revised and edited by E.S. Bomback.

Chapter 1 – How photography began
Chapter 2 – The behaviour of light
Chapter 3 – Light sources in photography
Chapter 4 – The camera lens
Chapter 5 – The camera
Chapter 6 – The chemistry of photography
Chapter 7 – Emulsion making and coating
Chapter 8 – The photographic latent image
Chapter 9 – Developers
Chapter 10 – The mechanism of development
Chapter 11 – Fixation and stabilisation
Chapter 12 – Sensitometry
Chapter 13 – The characteristic curve and its interpretation: Tone reproduction
Chapter 14 – Colour sensitivity and filters
Chapter 15 – Reciprocitry failure and other photographic effects
Chapter 16 – Photographic exposure
Chapter 17 – After-treatment of the negative
Chapter 18 – The granular structure of the image
Chapter 19 – Printing the negative
Chapter 20 – Colour photography – The additive process
Chapter 21 – Colour photography – The subtractive process
Chapter 22 – Colour photography colour prints and colour masking
Chapter 23 – Cinematography
Chapter 24 – Stereo photography
Chapter 25 – The application of photography
Chapter 26 – Document copying

€ 20,00
ships from the Netherlands!

d   1967
i   library book
The science of photography by Harry Baines( Book )

28 editions published between 1967 and 1976 in 3 languages and held by 295 WorldCat member libraries worldwide

Author Harry Baines
Editor Edward S. Bomback
Edition 2
Publisher Wiley, 1967
Original from the University of Michigan
Digitized 17 Dec 2007
Length 318 pages

Publisher ‏ : ‎ Fountain Press Ltd; 3rd Revised edition (1 Mar. 1967)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 316 pages
ISBN-10 ‏ : ‎ 0852422105
ISBN-13 ‏ : ‎ 978-0852422106

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GAR0166 BOOKS: ‘dialogue with photography’ -Paul HILL & Thomas COOPER

'dialogue with photography' -Paul HILL & Thomas COOPER
The classic interviews with the men and women who shaped so much of 20th-century photography.
In the early 1970s, Paul Hill and Thomas Cooper carried out an extraordinary series of interviews. More than 20 photographers participated: Ansel Adams, Man Ray, Cecil Beaton, Brassa, Henri Cartier-Bresson, Andre Kertesz, Jacques-Henri Lartigue, George Rodger, Robert Doisneau, Herbert Bayer, Henry Holmes Smith, Helmut Gernsheim, Brett Weston, Manuel Alvarez Bravo, Eliot Porter, W. Eugene Smith, Laura Gilpin, Paul Strand, Imogen Cunningham, Wynn Bullock, Minor White, and Beaumont Newhall. Paul Hill and Thomas Cooper began to interview some of the ‘movers and shakers’ of 20th-century photography when they were teaching colleagues at Trent Polytechnic, Nottingham in the 1970s. Paul went on to head that course and Thomas, originally from California, settled in Scotland where he founded the highly influential fine art photography course at Glasgow School of Art. He, like Paul, has exhibited all over the world and has work in international collections. He is currently research professor at GSA. Paul created the first residential photography workshop in the UK and later one of the first MAs in photography. Awarded an MBE in 1996, his extensive archive was acquired by the Library of Birmingham in 2004.
d   1994
i   ships from the Netherlands, 2nd hand but in very good condition.
this edition was published in 1994 and it is the paperback version

“To Paul Strand who demanded from us ‘the form’ and to Beaumond Newhall who helped us to define that form”

The interviews in this book originally appeared in the highly influential ‘Camera’ magazine, Lucerne, Switzerland, and were developed with the editorial counsel of Allan Porter.

€   15,00 (ships from the Netherlands)

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GAR0244 Books on Photographic Processes: Gum Dichromate printing by Luis NADEAU

Books on Photographic Processes: Gum Dichromate printing by Luis NADEAU
Books on Photographic Processes: Gum Dichromate printing and other Direct Carbon Processes, from Artique to Zimmerman.
d   1987
i   Step-by-step instruction guide on one of the most artistic of photographic processes: gum dichromate printing. Particular emphasis is placed on the production of full-color photographs. Written by Luis Nadeau who, at the time this book was written (1987) owned and operated the only Fresson lab outside of France and was the first to commercially produce permanent tricolor carbon prints.
€   15,00
$   equivalent
ships from the Netherlands!

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GAR0187 BOEKEN ‘Sprekende Theaterbeelden’

  BOEKEN ‘Sprekende Theaterbeelden’
Auteur H. Lemmerman en M. Lonink
• Nederlands
• Paperback
• 9789080331365
• Druk 1
• 160 pagina’s
Schrijvers: Lemmerman, H., Lonink M., samenstelling
Titel: Sprekende theaterbeelden / druk 1
ISBN: 9789080331365
Taal: Nederlands
Uitgever: Zwaluw, De
Bijzonderheden: 2004, 160pp, 30 x 30 cm. In zeer goede staat

€   14,00
Verzendkosten € 6,75 (binnen Nederland)

d   2004
i   12 decorontwerpers, voor bijv. Artemis, Wederzijds en de Trust lichten hun werk toe, in prachtig uitgegeven boek met veel fotomateriaal. Boekband in rood velours met geschroefd katern.

te koop via:

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GAR0250 Books of Interest: ‘the Story of English’

 'the Story of English'
‘the Story of English’, Robert McCrum, William Cran, Robert MacNeil
First published in 1986 by Faber and Faber Limited, 3 Queen Square, London WC1N 3AU and BBC Publications. A division of BBC Enterprises Ltd, 35 Marylebone High Street, London W 1 M 4AA.
Designed by Julia Alldridge. Typeset by Keyspools, Golborne, Warrington. Colour reproduction by Wensum Graphics, Norwich, Norfolk Printed in Great Britain by W S Cowell, Ipswich, Suffolk. Bound by Butler & Tanner, Frome, Somerset. All rights reserved ÇJ Robert McCrum, William Cran, Robert MacNeil 1986
British Library Cataloguing in Publication Data McCrum, ·Robert l. ‘Title The story of English I. English language -Hlistory ISBN o 571 13828 4 (Faber and Faber) ISBN o 563 20247 5 (BBC)

Chapter 2
The Mother Tongue

The making of English is the story of three invasions and a cultural revolution. In the simplest terms, the language was brought to Britain by Germanic tribes, the Angles, Saxons, and Jutes influenced by Latin and Greek when St Augustine and his followers converted England to Christianity, subtly enriched by the Danes, and finally transformed by the French‑speaking Normans.

From the beginning, English was a crafty hybrid, made in war and peace. It was, in the words of Daniel Defoe, ‘your Roman‑Saxon‑Danish‑Norman English’. In the course of one thousand years, a series of violent and dramatic events created a new language which, by the time of Geoffrey Chaucer, was intelligible to modern eyes and ears without the aid of subtitles.

The English have always accepted the mixed blood of their language. There was a vague understanding that they were part of a European language family, but it was not until the eighteenth century that a careful investigation by a gifted amateur linguist began to decipher the true extent of this common heritage.
The Common Source

In the early days of the Raj, Sir William Jones, a British judge stationed in India, presented a remarkable address to the Asiatick Society in Calcutta, the fruits of his investigations into ancient Sanskrit. A keen lawyer, Jones had originally intended to familiarize himself with India’s native law codes. To his surprise, he discovered that Sanskrit bore a striking resemblance to two other ancient languages of his acquaintance, Latin and Greek. The Sanskrit word for father, transliterated from its exotic alphabet, emerged as pitar, astonishingly similar, he observed, to the Greek and Latin pater. The Sanskrit for mother was matar; in the Latin of his school days, it was mater. Investigating further, he discovered dozens of similar correspondences. Though he was not the first to notice these similarities, no one before Sir William Jones had studied them systematically. The Sanskrit language, he announced to the Asiatick Society on that evening of 2 February 1786, shared with Greek and Latin a stronger affinity … than could possibly have been produced by accident; so strong, indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists

2nd hand, €   10,00

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GAR0242 BOEK: ‘de Megalietenbouwers’, Francis HITCHING

 'de Megalietenbouwers', Francis HITCHING
Verspreid langs de kusten van Europa bevinden zich tal van overblijfselen uit ons verre verleden. Daar verheffen zich even geheimzinnig als spookachtig de door hoge stenen gevormde cirkels, de dolmens en de grafheuvels, die ons herinneren aan een tijdperk van ver voor het ontstaan van het wiel, meer dan vijfduizend jaar geleden. Met welk doel vele van deze monumenten door de Europese megalitische mens werden opgericht is een der grootste mysteries, een mysterie dat nog altijd een bron vormt van eindeloze en vaak hoog oplaaiende discussies onder archeologen, historici, para-psychologen en zelfs onder religieuze fanatici.
Op fascinerende wijze onderwerpt Francis Hitching de vele argumenten van de elkaar bestrijdende partijen aan een eerlijk en openhartig onderzoek. Hij voegt die argumenten aaneen tot ze in elkaar passen als de stukken van een gigantische legpuzzel en versterkt daarbij gaandeweg het geloof in de thans veld winnende opvatting, dat de mensen die duizend jaar voor het ontstaan van de piramiden de aarde bevolkten beslist niet de barbaren waren voor wie wij hen eeuwen lang hebben gehouden. Integendeel, in dit boek wordt onthuld dat zij, hoewel onbekend met de geschreven taal, een beschaving bezaten van bijzonder hoog peil en dat zij in welhaast volkomen harmonie leefden met de aarde en haar geheimen.
In Amerika werd De megalietenbouwers door de Book-of-the-Month Club gekozen tot keuzeboek van de maand. Francis Hitching Is zowel lid van het Royal lnstitute of Archaeology als van de Prehistorie Society in Engeland.

Uitgever: Amsterdam Boek
ISBN: 9789031896790
Bindwijze: Paperback
Aantal Pagina’s: 272
Jaar: 1978

i   2e hands
Oorspronkelijke titel: Earth magie Vertaling: Rita Vermeer, Frans van der Wiel en Peter van Oers Omslagontwerp: Aad Opree ISBN 90 318 9679 9 © 1976 Francis Hitching Kaarten en tekeningen van Ken Smith: © 1976 Cassell & Co. Ltd © 1978 Copyright Nederlandse uitgave: Uitgeverij Amsterdam Boek B.V., Amsterdam

Francis Hitching is zowel lid van het Royal Institute of Archaeology als van de Prehistoric Society in Engeland
€   10,00

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GAR0245 MANUAL -‘Modern Carbon Printing’ -Louis NADEAU

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'Modern Carbon Printing' -Louis NADEAU
Now that his History and Practice of Carbon Processes (1982 ), is out of print, Luis Nadeau has completely revised and expanded the sections of his first book that related to monochrome carbon transfer processes, to create ‘Modern Carbon Printing’. This new book is the most thorough guide available on the subject. Particular emphasis has been placed on the manufacture of homemade materials, especially in regard to the selection of suitable permanent pigments, emulsion making (dispersions), and coating methods. Step-by-step instructions guide the worker through the production of what has been described as the most beautiful and most permanent of photographic processes: printing in carbon and carbro. Artistic media par excellence, these processes have been preferred for many years by photographers who want the ultimate in terms of photographic reproduction.

The Author:
Having over 12 years of full-time experience and research in the field of conservation of photographic materials, Luis Nadeau has been consulted by many well-known museums, archives, manufacturers, collectors, and photographers, in Europe and North America. His previous works, History and Practice of Carbon Processes (1982) History and Practice of Platinum Printing (1984), and History and Practice of Oil and Bromoil Printing (1985) are now used as textual and reference manuals by more than 50 American universities and other institutions in at least 30 countries. The author owns and operates the only FRESSON lab outside France and was the first to commercially produce permanent tricolor carbon prints for well-known photographers and institutions.

€   10,00

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GAR0246 BOEK ‘Gevaert Foto Handboek’- A.H.S. CRAEYBECKX

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'Gevaert Foto Handboek'- A.H.S. CRAEYBECKX

Schrijver: Craeybeckx, A.H.S.
Titel: Gevaert foto handboek. Een praktische leidraad voor al wie fotografeert
Taal: Nederlands
Uitgever: Gevaert Photo-producten
Bijzonderheden: 9e bijgewerkte druk, 456 paginas, gebonden in linnen band.
d   1954
Bij deze uitgave werd in ruime mate gebruik gemaakt van de vragen en inlichtingen die ons vanwege de lezers toekwamen. Het vierde deel, gewijd aan de kleurenfotografie, werd door mijn medewerker ]. Lauwers geheel omgewerkt. Ook het negatief-positief-procédé wordt hierin behandeld. De schrijver drukt hiermede zijn dank uit aan de collega’s en medewerkers die hem, bij de vervulling van zijn taak, met raad en daad terzijde hebben gestaan. Wij hopen dat deze druk een even gunstig onthaal te beurt zal vallen als de vorige.

€   10,00

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GAR0239 Lucy LIPPARD – ‘Overlay’

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Published in the United States by Pantheon Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

Small portions of this book have appeared in articles written over the last decade, primarily the following: ‘·Quite Contrary: Body, Nature, and Ritual in Women’s Art” (Chrysalis, no. 2, 1977); “Body. House. City, Civilization, Journey” (Dwellings, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1978); “Complexes: Architectural Sculpture in Nature” (Art in America, Jan.-Feb. 1979); “Back Again,” (West of West: Ancient Monuments in Ireland, traveling exhibition. England, 1979-80); “Gardens: Some Metaphors fora Public Art” (Art In America, Oct. 1981); “Breaking Circles: The Polities of Prehistory” (in Robert Hobbs, ed., Robert Smithson: Sculpture, Cornell University Press, Ithaca, 1981).

Library of Congress Cataloging in Publication Data Lippard, Lucy R. Overlay: Contemporary art and the art of prehistory.
Bibliography: p. 253 Includes index. 1. Art, Modern-20th century-Themes, motives. 2. Conceptual art-Themes, motives. 3. Performance art-Themes, motives. 4. Art, Prehistoric-Themes, motives. 5. Art, Prehistoric-influence. 6. Symbolism in art. 1. Title. N7428.L56 1983 700’.9’04 82-22331
ISBN 0-394-51812-8
ISBN 0-394-71145-9 (paperback)
Typographic design by Sara Eisenman Manufactured in the United States of America First Edition All original art illustrated in this hook is copyrighted by the artists.
d   1983
i   second hand, used

Editorial Reviews

  • “Lippard skillfully shows the ‘primal urge’ is a core issue in ‘post-modernist’ art … it is invaluable as an insider’s synthesis capturing the consciousness of vanguard art in the recent past.”
    — Village Voice

  • “Lucy Lippard has skillfully blended sun, moon, myth, and ritual in a search for the meaning and social function of art.”
  • — Gerald Hawkins, author of Stonehenge Decoded and Mindsteps to the Cosmos

  • “The book’s strength lies in the depth of the author’s commitment–her dual loyalty to tradition and modernity and her effort to restore the broken connection between the two.”
    — New York Times Book Review

    About the Author
    Lucy R. LIPPARD is an internationally known writer, activist, and curator. She has authored twenty-three books, has curated more than fifty major exhibitions, and holds nine honorary doctorates of fine arts. Her books include The Lure of the Local, Partial Recall, The Pink Glass Swan, Mixed Blessings, On the Beaten Track, and Overlay, all published by The New Press. Lippard is the recipient of numerous awards, most recently the Carolyn Bancroft History Prize from the Denver Public Library and grants from Creative Capital and the Lannan Foundation. She lives in New Mexico.

    €   12,50

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    GAR0253 BOOKS -‘Shades of Grey’, Oscar MARZAROLI

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    Oscar Marzaroli Shades of Grey

    GAR0253 Photography Books ‘Shades of Grey’

    DESCRIPTION “SHADES OF GREY – Glasgow 1956-1987”
    Photographs by Oscar Marzaroli
    Words by William McIlvanney
    This remarkable book marks the conjunction of two substantial talents and their shared experience which is the Glasgow of the past thirty years. While William Mcilvannev, writer, was steeping himself in the atmosphere of mid-fifties Glasgow as a student. Oscar Marzaroli, photographer, was beginning work as a freelance photojournalist in the city. One way or another. Glasgow has remained an enduring influence on both men. In ‘Shades of Grey’, each pays their particular tribute to a famous city in the process of change. Marzaroli’s photographs record not only the fabric of Glasgow old and new but also, through photo sequences, the character and the characters of the city. His view of Glasgow can bear comparison with other important photographers’ views of their favored places. No other photographer has caught the look and life of Glasgow with comparable accuracy and sympathy or produced images that we can relate to so strongly. This comprehensive collection of Marzaroli’s Glasgow photographs, selected from thousands of prints, is not just another book of photographs. It is a work that will rapidly become a permanent part of Scotland’s visual heritage. McIlvanney’s text, with its subjective impressions, complements perfectly the objective images from Marzaroli’s camera.

    Oscar Marzaroli was born in Castiglione Vara, Northern Italy, in 1933 his family moved to Glasgow when he was two, settling in the Garnethill area of the city. Courses in Glasgow School of Art were interrupted by illness. After working as a photographic assistant in Glasgow he moved to Stockholm to work as a freelance photo-journalist for a few years before moving to London. Returning to .. (continued on Back Flap ..)
    ISBN i 85158 047 6

    Publisher ‏ : ‎ Trafalgar Square; First Edition (February 1, 1993)
    Language ‏ : ‎ English
    ISBN-10 ‏ : ‎ 1851580476
    ISBN-13 ‏ : ‎ 978-1851580477
    Item Weight ‏ : ‎ 2.91 pounds
    Dimensions ‏ : ‎ 9.25 x 1 x 12.25 inches
    2nd hand, cover has slightly yellowed

    price € 12,50

    links / provenance/ more info

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